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Peter Gabriel Recalls Early Eighties Synth Sound on New ‘I Belong to the Sky’

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CitrixNews Staff
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Peter Gabriel Recalls Early Eighties Synth Sound on New ‘I Belong to the Sky’

By Kory Grow

Kory Grow

Contact Kory Grow on X View all posts by Kory Grow June 30, 2026 Peter Gabriel. Peter Gabriel. Nadav Kander*

Peter Gabriel may be bound to Newton’s law of universal gravitation, but on a new song from his upcoming o\i album (release date TBA) he argues that “I Belong to the Sky.” Using a lunar calendar to determine his release schedule, Gabriel released the “Bright-Side Mix” of the song on Tuesday since Earthlings will witness a strawberry full moon at night; the “Dark-Side Mix” of the tune is due “on the next new moon” (July 14), according to his rep.

The song, at least the Bright-Side version, is a sprawling seven-plus–minute slow burn with burbling synths that recall deep cuts on Gabriel’s all-digital Peter Gabriel (1982), though with miasmas of saxophone and bright backing vocals. “Bringing the dream to life,” he sings, before purposely or accidentally acknowledging Newton’s law, “the picture is falling.” Not very bright in tone, the song feels more like a wish than a declaration.

In a statement, Gabriel explained that the song had had a long genesis and almost made it onto his i/o record in 2023 but he couldn’t finish it off. “The starting point of the song was the timpani tom-tom pattern which was inspired by an old film called Jazz on a Summer’s Day and also a wonderful drummer called Chico Hamilton. I think he was the pioneer of the use of timpani sticks on the toms and I always loved that sound; calm and hypnotic. It set a really strong mood for me and the song grew up around it.” He added that he was especially impressed by drummer Manu Katché’s work on the song.

Willing dreams into existence, or rather “how dreams leave their nest,” he said, was the point of the song. “One of the things that the technological revolution is doing is accelerating the time for thoughts to become material things,” he said. “The time it takes to transform an idea into something material is being radically cut. In the song, the verses have a more dreamlike ‘on your back and look up at the sky’ feeling and then in the chorus it’s about the execution, the materializing.”

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Originally reported by Rolling Stone. Read the full story at the original source.