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Steven J. Horowitz
Senior Music Writer
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Courtesy of Capitol Records In early March, Sienna Spiro made her U.S. debut at Los Angeles’ famed Troubadour, enchanting the sold-out crowd with her bellowing, rasped mezzo-soprano as she ticked across her relatively short discography. Still, days later, she recounts the performance through a perfectionist lens: sure, the concert was considered by many in attendance as the official coronation of pop’s next big balladeer, but in retrospect, she’d fine-tune a few things.
“I definitely have some notes to improve the show. Just little things to make it smoother,” admits the London native later that week over Zoom, hours before her encore performance at the venue. “But it’s really insane to do a show full of 500 people somewhere so far from home. I was blown away that people came and people were there. I just couldn’t really believe it, to be honest.”
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