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Olivia Wilde ‘Never Felt More Disconnected’ Than During the ‘Don’t Worry Darling’ Media Storm

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Olivia Wilde ‘Never Felt More Disconnected’ Than During the ‘Don’t Worry Darling’ Media Storm

By Larisha Paul

Larisha Paul

Contact Larisha Paul on X View all posts by Larisha Paul June 17, 2026 NEW YORK, NEW YORK - MAY 04: Olivia Wilde attends the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art on May 04, 2026 in New York City. (Photo by Kevin Mazur/MG26/Getty Images for The Met Museum/Vogue) Olivia Wilde Kevin Mazur/MG26/Getty Images

During the storm of rumors and apparent controversy that surrounded the 2022 film Don’t Worry Darling, Olivia Wilde had the urge to step in and set the record straight, but ultimately decided against it, the director shared on Call Her Daddy. “I wanted to be like, ‘Can I just talk to people?’” Wilde said. “Can I just go and say like, ‘That’s not true?’ And it was like, ‘No, that won’t help.’ And that was really hard.” Without intervention, the speculation got a little out of hand at times.

At one point during the press cycle, when the cast appeared at the Venice Film Festival, the question of whether Wilde’s then-boyfriend, Harry Styles, spat on his co-star, Chris Pine, became the biggest story surrounding the movie. That same night, Don’t Worry Darling‘s leading lady Florence Pugh showed up for the screening, but didn’t pose for photos with or even look at Wilde while she was there. Just a few months prior, Wilde’s presentation at CinemaCon went viral when she was reportedly served with custody papers while she was onstage presenting new footage from Don’t Worry Darling.

“There was all this public madness, but my private life was very far from it,” Wilde said. “And very, actually kind of wholesome and sweet. I had a lot of like real joy and love and happiness during that time. It was like the tornado was right outside the door and if you were inside, you were like, ‘It’s so nice,’ and then you’d open the door and a fucking like cow and a tractor would fly by.” The director added that she “never felt more disconnected from the person that people were talking about,” saying, “It was also very strange to see complete fiction traded as fact.”

The reviews didn’t help, either. “Olivia Wilde’s fuck you to the patriarchy isn’t quite the flaming car wreck that the film’s P.R. tour was,” Rolling Stone‘s David Fear wrote at the time. “But it also isn’t what you’d call ‘good.'”

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