By Blake Simons
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Kishin Shinoyama The most remarkable thing about Miike Takashi — whose filmography spans well over a hundred features in a smorgasbord of different genres and styles — is that he has never made a documentary. But now he’s at Venice with doc “Shumei: The Living Legacy of Kabuki.” The films screen out of competition.
“I take on a variety of work,” reflects Miike. “It’s all film — I don’t really differentiate between modes. I wasn’t particularly conscious of taking on documentary film, but I would say it’s a natural progression. [Kabuki artist] Danjūrō turned up in front of me eight years ago and gave me the opportunity to film him. There’s no way I could say no to that kind of opportunity.”
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