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Lin Ying-Hsuan
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Lin Ying-Hsuan Japan’s production committee system, in which a group of companies jointly finance a film and share its rights, has helped spread risk across the industry. But it can also cap budgets at what the industry itself can raise, make it harder for overseas investors to take part and slow decisions when every rights holder must agree.
At a panel at TIFFCOM, the content market of the Tokyo International Film Festival, speakers examined whether film funds can ease those limits while still fitting Japan’s market.
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