By Brent Lang
Plus IconBrent Lang
Executive Editor
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Courtesy of Cannes Film Festival For four decades, Ira Sachs has chronicled queer life in New York, shining a light on the artists and iconoclasts whose work gives the city such a vibrant, transgressive edge.
“The Man I Love,” which Sachs describes as one of his most personal films, adds to the canon. Set in the 1980s at the height of the AIDS crisis, it follows Jimmy George, a downtown performer who is dying of the virus but desperate to take on one final role. The 60-year-old Sachs drew on his own experiences starting out in theater and film at that time to shape the story.
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