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Naman Ramachandran
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APM A boy’s devotion to his uncle, a man with an intellectual disability, curdles into shame as he grows up and away from home in “Uncle,” the first feature written and directed by Taiwan’s Yen Hao-hsuan.
The project is part of the Asian Project Market, which runs within the Busan International Film Festival’s Asian Contents & Film Market (ACFM).
Set in rural Taiwan from 1997 to 2000, the film follows 10-year-old Wen and A-Tsik, the uncle he is inseparable from, in a turbulent household where Wen’s grandfather runs an illegal gambling den on the ground floor. As Wen hits adolescence, his affection turns to embarrassment, while the family’s efforts to police A-Tsik’s behavior and sexuality reveal how little say he has over his own life. With the country rebuilding after an earthquake and going through its first democratic handover of power, Wen starts picturing a life beyond his hometown. When he heads off to school in the city, A-Tsik stays put.
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