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Chris Willman
Senior Music Writer and Chief Music Critic
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Karl Magnuson When some look toward the U.S. semiquincentennial and consider what examplar might best represent American achievement or the nation’s character, only one thing inevitably comes to mind: wrestling. Fortunately, there were others who put their heads together and came up with an alternative choice: John Prine. The leadership at Wolf Trap, the concert venue/national park in Virginia just outside of D.C., had the idea to have some of the late troubadour’s fellow songwriters salute him in a concert loosely tied in with the country’s 250th birthday. And as Prine’s songs of empathy, careful observation, pathos and droll humor rang out into the warm, Washington-adjacent night, it’s safe to say that not even Lee Greenwood could have ever made an audience feel prouder to be an American, current circumstances notwithstanding.
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